journal
Artists Kenturah Davis and Dominique Fung joined LYRA Art Foundation founder Tanya Eves and CULTURED Editor-in-Chief Sarah Harrelson to discuss boundary-pushing in the art world.
Through a distinctly feminist approach, Dominique Fung repositions Asian femininity from object to subject in the canon of art history. In her surreal, opulent paintings, the artist restores agency to bodies and objects long confined by the imperial gaze.
At the intersection of language and figuration, Kenturah Davis works with and through plurality that resists singular definition. Layering text, image, and material to capture and translate movement, the artist shows how human perception is formed, felt, and is always in flux.
An American conceptual multi-media artist and feminist, Barbara Kruger harnesses the power of visual and textual language to expose the systems of power that shape everyday life. Disrupting representations of hierarchy within the societal constructs of identity, gender, control, and truth, Kruger’s criticality reframes ideology through the very words and pictures that both construct and contain us.
To the question of what it means to see, paint, and be in the human body, British artist Jenny Saville offers no easy resolution – instead, she presents an unapologetically bold survey where figuration and abstraction intertwine.
The human body has played an essential role in art throughout history. From the classical sculptures of antiquity to the meticulous anatomical drawings of the Italian Renaissance, the figuration of the body has evolved through the centuries as artists explore the many different facets of identity. In the 20th century, artists started broadening their perception of the human body in art by experimentally associating the body with questions regarding sexual equality, gender identity and feminism, as societies began to reinterpret traditional and patriarchal social norms.
Upon meeting artist Sylvia Snowden in Paris last October, during her show at White Cube entitled Sylvia Snowden: Between Presence and Absence, it was immediately apparent that we were in the presence of greatness. Her whole demeanour, from her gentle nature and presence to her empathy and profound passion for her work, evoked a sense of awe and respect in all those present.
Few artists who challenged traditional representations of gender in art as boldly as LYRA artist Sylvia Sleigh. A Welsh-born realist painter, Sleigh gained prominence in the 1970s for reversing the male gaze by portraying male subjects with the same sensitivity and sensuality historically reserved for female nudes. Works, such as The Turkish Bath (1973), reinterpreted classical compositions by placing men in vulnerable, reclining poses.
LYRA Foundation’s first-ever philanthropic grant will help establish a new three-year curatorial position at the museum
A new exhibition at Goldsmiths Centre for Contemporary Art in London, celebrates the life, work and contribution that Galli has made to the world over the past fifty years. From her early life in Germany after the Second World War, through her pioneering involvement with the progressive Berlin arts scene of the 1970s and 80s, to her ‘rediscovery’ in recent years, Galli’s devotion to her work is remarkable — ultimately creating a more sensitive world through her poignant pieces of art — is inspiring, and rightly celebrated in this exhibition.
The world’s wealthiest collectors are spending more money on female artists, but women still face woeful biases throughout their careers
Article by Anna Bradley, Art Basel
Lyra artist Caroline Walker delves into the intricacies of women's lives, and their roles within domestic and professional settings
Expressionist threads influenced by de Kooning’s time in Italy extend through to the contemporary period.
Artist Hannah Bays shares her thoughts about the subconscious, the body, desire and more with Lyra on the occasion of the exhibition “I’m Not Afraid of Ghosts.”
An interview with the Co-Curator of Lyra exhibition “I’m Not Afraid of Ghosts,” on view now at Palazzo Tiepolo Passi on Venice’s Grand Canal.
Lyra Highlights Venice exhibitions outside the walls of the Pavillions.