journal

Meghan is the newly appointed LYRA Curator of Contemporary Art at ICA SF, the first charitable gift created by the LYRA Art Foundation

To the question of what it means to see, paint, and be in the human body, British artist Jenny Saville offers no easy resolution – instead, she presents an unapologetically bold survey where figuration and abstraction intertwine.

The human body has played an essential role in art throughout history. From the classical sculptures of antiquity to the meticulous anatomical drawings of the Italian Renaissance, the figuration of the body has evolved through the centuries as artists explore the many different facets of identity. In the 20th century, artists started broadening their perception of the human body in art by experimentally associating the body with questions regarding sexual equality, gender identity and feminism, as societies began to reinterpret traditional and patriarchal social norms.

Upon meeting artist Sylvia Snowden in Paris last October, during her show at White Cube entitled Sylvia Snowden: Between Presence and Absence, it was immediately apparent that we were in the presence of greatness. Her whole demeanour, from her gentle nature and presence to her empathy and profound passion for her work, evoked a sense of awe and respect in all those present.

LYRA believes in supporting and investing in both emerging and established contemporary artists working across multiple disciplines. Yoko Ono firmly falls into the ‘established’ category.

LYRA Foundation’s first-ever philanthropic grant will help establish a new three-year curatorial position at the museum

A new exhibition at Goldsmiths Centre for Contemporary Art in London, celebrates the life, work and contribution that Galli has made to the world over the past fifty years. From her early life in Germany after the Second World War, through her pioneering involvement with the progressive Berlin arts scene of the 1970s and 80s, to her ‘rediscovery’ in recent years, Galli’s devotion to her work is remarkable — ultimately creating a more sensitive world through her poignant pieces of art — is inspiring, and rightly celebrated in this exhibition.

The world’s wealthiest collectors are spending more money on female artists, but women still face woeful biases throughout their careers
Article by Anna Bradley, Art Basel

Lyra spoke with artist Scout Zabinski about her chosen medium of self-portraiture, symbolism, legacy, Italy, and the exhibition “I’m Not Afraid of Ghosts.”

Expressionist threads influenced by de Kooning’s time in Italy extend through to the contemporary period.

Artist Hannah Bays shares her thoughts about the subconscious, the body, desire and more with Lyra on the occasion of the exhibition “I’m Not Afraid of Ghosts.”

An interview with the Co-Curator of Lyra exhibition “I’m Not Afraid of Ghosts,” on view now at Palazzo Tiepolo Passi on Venice’s Grand Canal.